A CNC machine is a precision carving machine. Once we have obtained quality CT scans of a violin, we can analyze its physical properties, density, mass, linear measurements, volumes, etc. Here is a picture of the 2011 Oberlin Workshop participants. Once we have obtained CT scans of a violin and have chosen wood that matches the wood of the original, Steve Rossow can carve duplicate parts digitally, using his CNC machine. photograph | 19 photographs : color | Photograph (Form). In turn his workshop influenced the leading makers of the day to look towards increasingly detailed copying of Cremonese masterpieces, assisted to a great extent by his relationship with Vincenzo Panormo, an Italian maker working in London. It was in this environment of exquisite craftsmanship that this violin was created a few years before John Betts death. 1730, "Goldberg-Baron Vitta", Viola by Antonio Stradivari, Cremona, 1690, "Tuscan-Medici", Violin by Antonio Stradivari, Cremona, 1704, "Betts", - John Betts cello, London circa 1810 | Johnson String Instrument This website uses cookies to ensure that we give you the best user experience. Article. By the time this fine antique violin was crafted in approximately 1820, John Betts was already able to look back on an impressive oeuvre. Brompton's is delighted to offer complimentary Violin appraisals for insurance, probate or sale purposes. After the death of Betts' son, the violin was sold to WE Hill, and eventually to Whittall's, before ending up at the Library of Congress, where it is displayed in the performing arts reading room. Bow maker / Violin maker. The violin was made in 1704, and retains what is believed to be its original untouched label. He came to London to work for Richard Duke in Holborn in 1765. Wurlitzer sold the "Betts" to John T. Roberts of Hartford, Connecticut, later acting as an intermediary in its sale to Mrs. Whittall. Users should consult the bibliographic information that accompanies each item for specific information. He moved to London at the age of 12 to apprentice with Richard Duke. Stamped Betts / Royal Exchange / London. 28-30 Marchmont Crescent, Edinburgh, EH9 1HG. Chris Germain is third from the left in the front row. The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network. 244-250 West 54th Street Part of that status comes from the circumstances of its acquisition. Brobst Violin Shop 5584 General Washington Dr Alexandria, VA 22312 (703) 256-0566. brobstviolinshop@gmail . photograph | 20 photographs : color | Photograph (Form). Violin by Antonio Stradivari, Cremona, "Betts". Inscribed inside the top in the upper treble bout are the words: The Betts / Stradivarius; in the lower treble bout the inscription reads: Purchased from / the duchess / of Camposelice / by W. E. Hill & Son / March 1892. This violin has been purchased, and donated to the Library of Congress. Betts was a talented maker himself and also employed some of the most talented English makers of the period, including . In the United States, the 'Betts' found a home first in the collection of John Taylor Roberts, [32] and then with Gertrude Clarke Whittall, who, in 1935, donated it along with three other Stradivari instruments a violin, a viola, and a cello and four Tourte bows to the Library of Congress of Washington, D.C. Web.. Retrieved from the Library of Congress, . Three Stradivari violins and eleven modern violins were played in a controlled double blind test. London He employed G. Gillingham, Edward Betts and John Carter, then Vincenzo Panormo, Joseph and Henry Lockey Hill, Richard Tobin, Bernard Fendt (father and son), John Furber, and a minor maker named Isaac Newton. Arthur & John Betts | Tarisio Violin by Arthur and John Betts - Tim Wright Fine Violins Scotland , circa 1800Cello, John Betts Bow maker / Violin maker Betts Workshop Violin, London circa 1820. With its expressive personality, the instrument presented here was likely made by one of his students and reflects the influence of "Old . John Betts Auction Results. He was universally known as " Old John Betts," and was well respected and patronised. London The last photo is a copy we made. John Betts. One of the most important and influential violin makers in England in the eighteenth and early nineteenth centuries, John Betts was born in Stamford, Lincolnshire, in 1752. The workmanship is solid and sober, without being refined and artistic like the work of Betts' master. John R. Waddle Violins Inc. - The Betts Project Professional violin, to quote a veteran Gypsy style player. Fine Fretted String Instruments2345 Winchester Blvd. Using another set of wood, also carefully selected, John, Steve Sirr, and Steve Rossow have completed another Betts copy violin. There may be content that is protected as "works for hire" (copyright may be held by the party that commissioned the original work) and/or under the copyright or neighboring-rights laws of other nations. Flagship Location 7711 Eastern Avenue Takoma Park, MD 20912 New Gaithersburg Rental Location 830 Muddy Branch Road Gaithersburg, MD 20878 A tradition of excellence since 1996 Call us for more information (301) 652-7070 1 (800) 317-9452 Hours Tues - Fri. Flagship Location: 10:00am - 6:00pm . Photography by Ellen Broughton. Below, on the left is a photo of the top of the Betts, compared with a CT scan of the top, and aphoto of our new digitally carved copy of the front of the Betts. (1752 1823), Little is known about the early life of John Betts, son of Edward Betts, a farmer from Stamford. Most work is branded Betts, Royal Exchange on the upper back. John Betts - Potter Violins After many years working for Duke, Betts became the foreman of his workshop and eventually took over the business. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you. The instrument is the work of one of his students or another luthier who upheld the Betts tradition, making it a worthy representative of early 19thcentury English violin making, and its interesting, stylish aesthetic is just as compelling as its exceptionally beautiful sound. violins@hebberts.com, Laurent Bourlier (III), Mirecourt, c.1820. It is of a good Stradivarian model with quite rudimentary antiquing to the varnish. Gregg Alf was in charge of the varnishing of this violin, and did a beautiful job. His shop employed many of the best contemporary makers, including Joseph and Lockey Hill, and later Vincenzo Panormo and Bernard Simon Fendt. In addition to his work as a maker, Betts imported the highest-caliber Read More Italian instruments to London, and was partly responsible for the ascent of Stradivari's reputation to equal Stainer's in public opinion of the period. The "Betts" is among the most legendary violins from Stradivari's workshop. If you are interested in purchasing one of the instruments, contact Chris Germain. Next to that is a photo of the new copy. Users may need to contact The Strad for any re-use of the articles. To provide the best experiences, we use technologies like cookies to store and/or access device information. The original neck is in the old style. While these craftsmen produced a very important body of work, particularly the cellos which have become highly sought-after, Betts greatest importance was as a violin expert. He made his own instruments as well as collecting and trading the work of old masters. 43883.00. Betts, John | Ingles & Hayday The one inserted into the violoncello just referred to reads : This violin has an electric vibrancy, as though the sound is just waiting to burst out. Rare Cello | John Betts | English Violoncellos | Skinner Inc. Article. Violins and cellos for sale in London from Bridgewood & Neitzert Ltd: The UK's leading violin dealers, restorers & makers. If you currently own a John Betts Violin, click the button below to receive a free valuation: Violin Valuation. It continued into the 1860s under the direction of Arthur's sons Arthur II and John II before finally closing in 1867. By this time, the family were well established as the leading London dealers of . Arthur Betts used the violin for the rest of his career. Violin - The height of the two f-holes varies, which might be explained by a technique that Stradivari used. Here is a picture of the 2011 Oberlin Workshop participants. Some people have been surprised that modern violins could sound as good as a Stradivarius, but in three well documented tests now, this has been proven to be the case. London, Sign up to receive Carteggio features directly. It can carve wood more accurately than a human can. Composite, newer top (19th century) original back and sides. If you choose to continue using this website, you agree to our use of cookies. The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user. Betts, the leading instrument dealer of his time in London, was one of the first to import Italian instruments. Ingles & Hayday would like to send you information about our events and services, by post, telephone and email. Betts was a violinist, teacher, and violin dealer. If you missed the magazine, you can download the pdf here-. JOHN BETTS - Christie's Here is a picture of Raymond Shryer smoothing the top for the Betts copy with a scraper. In June of 2011, Steve Rossow, Steve Sirr, and John Waddle went to Oberlin, Ohio, to participate in the Oberlin violin makers workshop. (b Stamford, Lincolnshire, 1752; d London, 1823) One of the most important and influential violin makers in England in the eighteenth and early nineteenth centuries, John Betts was born in Stamford, Lincolnshire, in 1752. a convenience, and may not be complete or accurate. Please follow the link to confirm your registration. How much is my John Betts Violin worth? His instruments reflect the same care and artistry admired in the cremonese masters. London Dismiss. Using our new process of reverse engineering, and choosing wood carefully, we can make consistently good sounding violins that are comparable to instruments made in the past and not accessible to the public. In 1765 he moved to London to apprentice with Richard Duke and after seven years he became shop foreman, eventually buying the business from Duke's daughter. The violin is an absolutely stunning Nicol Amati copy. This area corresponds with the dimensions of the original fingerboard giving a clue to the range of notes that a musician could play. Retrieved from the Library of Congress, https://www.loc.gov/item/ihas.200155591/. There was problem sending your activation email, please contact us. He did not make many instruments himself, but employed excellent workmen, such as the Panormos, John Carter, Edward Betts, Bernhard Fendt, &c. The work is excellent, but poor instruments were occasionally sold by him, bearing his label. Submit button. SKU 34098 Categories Violins, Violins $20,100-$35,000. It was given the the Library of Congress in Washington, DC, along with several other Cremonese masterpieces, by the last owner, Mrs. Gertrude Clarke Whittall in the mid 1930's, and remains there today. Betts business became a focus for the market for old Cremonese violins. Betts Workshop Violin, London circa 1820 | Sold Can you tell which is which? The Betts Stradivarius violin was the focus of the workshop. If you are a person who is fortunate enough that you can afford to buy a genuine Stradivari, Guarneri, or Amati, by all means, you should do it! It remained a treasured . Here is a vioiin being scanned. , 1803Viola, John Betts . [Web.] John is also part of an ongoing collaboration with luthier Stephen M. Rossow, and Radiologist Steven A. Sirr, M.D., on a project that uses existing and emerging technologies to explore the structure of-and . Over the course of its history the shop produced a large range of instruments, from inexpensive models with painted purfling to some of the most exquisite Stradivari and Guarneri copies in the history of British violin making. Citations are generated automatically from bibliographic data as It remained a treasured part of Betts' collection, but after the death of his son in 1852, the violin came into the hands of Hills of London and then a succession of distinguished owners. Article. We use this information to help choose the woods used and to guide us in the making of accurate copies. He moved to London at the age of 12 to apprentice with Richard Duke. (1775 - 1847) Younger brother of John Betts, Arthur Betts was a good violinist and had lessons from Viotti himself. The 2010 project was to make a copy of the "Ole Bull" Guarneri violin, which was finished in 2011 . Not surprisingly, the nephew thought the violin should belong to the firm, but Arthur claimed that since he bought it with his own money, (one guinea) it was his. Violin by John Betts, English circa 1790 - Auction Result Betts was one of the first in this country to do extensive business in Italian instruments, and a large number of fine violins found their way into this country in his time. Traces of the compass points left when he marked the position of the lobes and nicks are still visible and can be seen using a mirror inside the top. , circa 1790Violin, John Betts The 1704 Betts violin is named after John Betts, a violinmaker in London who bought the violin in excellent condition for one guinea in 1820. Betts instruments tend to exhibit very high standards of craftsmanship and tone. Brompton's is delighted to offer complimentary Violin appraisals for insurance, probate or sale purposes. He studied violin making under Richard Duke. His refusal to allow Charles to profit from the purchase led to the partners falling out. 1871, Violin by Giuseppe Guarneri, Cremona, ca. including this fine violin, Betts' greatest importance was as an expert and entrepreneur, responsible for making London a major centre of violin making activity in the 19th century. Claudia Fritz, Joseph Curtin, and Fan Tao have participated in two other similar tests, in Indiana and Paris. Violin by Antonio Stradivari, Cremona, 1704, "Betts" [Full strung instrument, front and back], Stringed Instruments at the Library of Congress, Musical Instruments at the Library of Congress, Comparison of performances on five violins, Twin Guarneri Violins Reunited at Library, Wilkins Early Stringed Instrument Collection, Violin by Antonio Stradivari, Cremona, 1699, "Castelbarco", Violin by Antonio Stradivari, Cremona, 1700, "Ward", Violin by Nicolo Amati, Cremona, 1654, "Brookings", Violin by Jean Baptiste Vuillaume, Paris, ca. Analytics cookies help us understand how visitors interact with our site, detect errors, and provide better overall analytics. They liaised with my insurers and started work within days . It simply isn't true that old violins always sound better than new ones. Directions. The instrument made by the group involved in the previous year's class is also varnished, strung up, and played. Choose whether this website uses functional cookies or cookies for tracking and performance, as described. One of the many things that is pleasing about this beautiful instrument is that it represents some of the very best work of both makers. John Betts, London, c.1785 - Reuning & Son Violins Cookie Policy The 1704 "Betts" Stradivari violin was crafted by Antonio Stradivari, an Italian manufacturer of string instruments who lived from 1644 to 1737. He was a pupil of Richard Duke, and, in the few instruments made by himself, showed that he had imbibed much of Duke's lore. After having been painstakingly set up and made ready to play by the expert luthiers at our workshop, our professional violinist played it and was delighted by the rich timbre, radiance and maturity of its powerful warm voice and in recording the audio samples for this violin, he was able to bring the distinctive character of its voice to life. The violin is in stunning original condition with no cracks. The Betts Stradivarius violin was the focus of the workshop. Arthur managed the Betts shop after his brother's death in 1823, together with his nephew . Photograph (Form). Normally one violin, viola, or cello, is made by the class (up to varnishing), strung up "in the white", and played, as a group project during the two week session. My great-grandfather ordered a violoncello of Betts in the year 1780, to be made by Betts himself. The written permission of the copyright owners and/or other rights holders (such as holders of publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Fax: +1 212 202 4660, Tarisio London For auction updates, special offers and news please sign up to our mailing list. Article. Next to that is a photo of the new copy. Bow maker / Violin maker. With its expressive. - 115 auction price results. The woods used for the copy are selected for their density, grain structure, and visual similarity to the Betts violin. Gregg Alf is shown here carving the final shape of the blocks in the rib structure of the copy. He became known as an expert dealer and businessman, and was appointed Official Valuer of violins to the Customs Office. . Instruments made at the workshop are offered for sale to the public, with the proceeds going to keep the workshop in operation. John Betts (1752 - 1823) was apprenticed to Richard Duke in 1765 before becoming established independently in 1781 in Holborn, then the Royal Exchange. Suite B Campbell, CA 95008 (408) 879-9930 . Items included here with the permission of the rights holders are indicated as such in the bibliographic record for each item. In 2011, John Waddle was in charge of the back, Raymond Shryer, who has his violin shop in Canada, was in charge of the top, Gregg Alf, of Ann Arbor, Michigan, was in charge of the rib structure, and Sam Zygmuntowicz, whose violin shop is in Brooklyn, New York, was in charge of the neck and scroll. The technical storage or access that is used exclusively for statistical purposes. John Betts school / circle: fine antique English violin circa 1820. please inquire . What a good looking bunch! These cookies cannot be disabled and you cannot use the website without them. Next to him is Gregg Alf.
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